tag:blogger.com,1999:blog-71981522140765852302024-03-06T06:55:54.899+01:00L'Archicembalo EnsembleL'Archicembalohttp://www.blogger.com/profile/01986803356972940695noreply@blogger.comBlogger16125tag:blogger.com,1999:blog-7198152214076585230.post-56775570188888347362019-10-13T12:42:00.002+02:002019-10-13T12:42:11.341+02:00Clic Musique!<br /><a href="http://www.clicmusique.com/vivaldi-les-concertos-sinfonias-pour-cordes-archicembalo-p-102868.html" target="_blank">Clic Musique!</a><br />
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<br />L'Archicembalohttp://www.blogger.com/profile/01986803356972940695noreply@blogger.com0tag:blogger.com,1999:blog-7198152214076585230.post-43622713147079987542019-10-11T22:26:00.000+02:002019-10-11T22:26:01.389+02:00Das Orchester<a href="https://dasorchester.de/artikel/complete-concertos-and-sinfonias-for-strings-and-basso-continuo/" target="_blank">Das Orchester</a><br />
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<br />L'Archicembalohttp://www.blogger.com/profile/01986803356972940695noreply@blogger.com0tag:blogger.com,1999:blog-7198152214076585230.post-46523364974409357622019-10-11T22:18:00.002+02:002019-10-11T22:18:48.417+02:00Early Music Review<a href="http://earlymusicreview.com/vivaldi-complete-concertos-and-sinfonias-for-strings-and-basso-continuo/" target="_blank">Early Music Review</a><br />
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<br />L'Archicembalohttp://www.blogger.com/profile/01986803356972940695noreply@blogger.com0tag:blogger.com,1999:blog-7198152214076585230.post-28851991339858666722019-10-08T17:09:00.002+02:002019-10-08T17:09:50.030+02:00Music Web - Review by Brian Wilson - Antonio VIVALDI (1678-1741) Complete Concertos and Sinfonias for Strings and Basso Continuo <br />
Music Web - Review by Brian Wilson - Antonio VIVALDI (1678-1741) Complete Concertos and Sinfonias for Strings and Basso Continuo <br />
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<a href="http://musicweb-international.com/classrev/2019/Oct/Vivaldi_strings_95835.htm" target="_blank">Antonio VIVALDI (1678-1741) Complete Concertos and Sinfonias for Strings and Basso Continuo </a><br />
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<br />L'Archicembalohttp://www.blogger.com/profile/01986803356972940695noreply@blogger.com0tag:blogger.com,1999:blog-7198152214076585230.post-80161139408575192132019-10-02T18:57:00.003+02:002019-10-02T18:57:48.976+02:00Sulle note di J.S.Bach<br />
<b>Bach secondo L'Archicembalo </b><br />
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<b><br /></b>L'Archicembalohttp://www.blogger.com/profile/01986803356972940695noreply@blogger.com0tag:blogger.com,1999:blog-7198152214076585230.post-74611932501969085602019-10-02T17:33:00.001+02:002019-10-13T12:46:11.604+02:00Gramophone, 2019<br />
<a href="https://www.gramophone.co.uk/review/vivaldi-complete-concertos-and-sinfonias-for-strings-and-basso-continuo" target="_blank">…their sound would be that it’s as energetic, exuberant and rhythmic </a>
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<br />L'Archicembalohttp://www.blogger.com/profile/01986803356972940695noreply@blogger.com0tag:blogger.com,1999:blog-7198152214076585230.post-80648663622095079332019-10-02T17:19:00.003+02:002019-10-13T12:43:33.751+02:00Gothic Network<span style="color: #004000; font-family: "georgia" , serif;"></span><b></b><br />
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #002060; font-family: "calibri" , "sans-serif"; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Gothic
Network , 29 July 2019</span></b><br />
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<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="color: #002060; font-family: "calibri" , "sans-serif"; font-size: 14.0pt;">Brilliant Classics. </span></i><span lang="EN-US" style="color: #002060; font-family: "calibri" , "sans-serif"; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">The
Archicembalo ensemble for Vivaldi's Concerts and Symphonies for strings</span><i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="color: #002060; font-family: "calibri" , "sans-serif"; font-size: 14.0pt;"></span></i><br />
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #002060; font-family: "calibri" , "sans-serif"; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Review
by Piero Barbareschi </span></b><br />
<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike><a href="http://www.gothicnetwork.org/articoli/brilliant-classics-lensemble-archicembalo-concerti-sinfonie-archi-di-vivaldi?fbclid=IwAR3U0zpeKD2NouPuHpb0A_Ty0Rv0qUPiRBjRE972w-4JK7GNQe0Ops_Fbuo" target="_blank">...un Vivaldi luminoso, scattante ma anche poetico...</a><br />
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<span style="background-color: white; color: #222222; display: inline; float: none; font-family: "century" , "century schoolbook" , serif; font-size: 2em; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; text-align: left; text-decoration: none; text-indent: 25px; text-transform: none; white-space: normal; word-spacing: 0px;">Brilliant Classics. L'ensemble Archicembalo per i Concerti e Sinfonie per archi di Vivaldi</span></div>
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In un cofanetto<strong> Brilliant Classics</strong> tutti i <strong>Concerti e le Sinfonie per archi e continuo di Antonio Vivaldi </strong>nell'esecuzione dell'ensemble<strong> “Archicembalo”</strong>: un'immersione piacevolissima nel mondo di un autore particolarmente amato non solo dagli appassionati del barocco.</div>
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Su queste pagine, se non andiamo errati nel 2016, avevano già preso in considerazione un cd vivaldiano per l'etichetta Tactus nel quale l'ensemble “Archicembalo” proponeva una serie di concerti e sinfonie vivaldiane per archi e continuo e già <strong>in quell'occasione avevamo apprezzato la lettura, asciutta e scattante</strong>.</div>
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In questo corposo cofanetto<strong> Brilliant Classics, 4 CD,</strong> che comprende anche i concerti inseriti nel precedente CD singolo, viene completata la registrazione di tutti i concerti e sinfonie,<strong> 51 composizioni in tutto</strong>, offrendo così l'opportunità di avere una <strong>visione complessiva della modalità di realizzazione ed ispirazione dell'autore per queste forme specifiche.</strong></div>
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<strong>Se le Sinfonie per la struttura sono riconducibili a quelle introduttive dei melodrammi </strong>vivaldiani in particolare e barocchi in generale ( durata pochi minuti e tripartizione con alternanza veloce-lento-veloce)<strong> appaiono più interessanti e personali i Concerti </strong>nei quali, contrariaramente a quanto ci si possa aspettare dal tipico concerto barocco per solista, archi e continuo (senza esplorare la produzione di altri autori rimanendo al catalogo vivaldiano pensiamo per esempio alla “Stravaganza”, all'“Estro armonico”, “La Cetra” e alle stesse Quattro Stagioni), in questo caso la scrittura <strong>non privilegia il dialogo fra solista e tutti ma propone un linguaggio inconfondibilmente vivaldiano ma, per così dire, gerarchicamente più equilibrato.</strong></div>
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<strong>Nella scelta dello schema dialogico fra gli strumenti non è rara la presenza di fugati,</strong> per esempio, fra gli altri, nell'Allegro finale del Concerto RV124 in re o nel secondo movimento del “Madrigalesco” od anche nell'allegro finale del RV120 in do minore. <strong>Non sono assenti alcune eccezioni, ovviamente</strong>. Per esempio nel Concerto <strong>RV155 in sol minore</strong>, già atipicamente suddiviso in quattro movimenti (come nel RV129 “Madrigalesco”) <strong>nel poetico largo il violino solo dialoga con il continuo come avviene nei tradizionali concerti per violino. </strong></div>
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A parte queste piccole deviazioni da un percorso negli altri casi definito e ricorrente ed affrontando<strong> la valutazione sulla qualità della musica ed ovviamente dell'interpretazione il giudizio anche in questa occasione non può che essere positivo</strong>. Non sappiamo se consigliare un ascolto frazionato od immergersi in un<strong>'overdose vivaldiana</strong> ( che in verità non è dannosa rispetto a quanto potrebbe accadere con altri autori...)<strong>. L'Archicembalo conferma un'impostazione nella lettura, nel fraseggio e nella realizzazione del continuo che a noi piace molto, offrendo un Vivaldi luminoso, scattante ma anche poetico quando occorre e spesso sorprendente nell'apparente prevedibilità.</strong> Lettura che senza dubbio invoglia a proseguire l'ascolto delle tracce via via che si dipanano. Considerando che stiamo parlando di quattro CD, sicuramente non è cosa da poco.</div>
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Sintetizzando un <strong>cofanetto senza dubbio da consigliare </strong>nel quale ognuno potrà trovare un<strong> brano che lo colpirà particolarmente diventando un piacevolissimo tarlo musicale. </strong><em>Quando è ben eseguito Vivaldi fa quest'effetto...</em></div>
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Pubblicato in: </div>
GN32 Anno XI 29 luglio 2019</div>
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<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike><br />
<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike><br />L'Archicembalohttp://www.blogger.com/profile/01986803356972940695noreply@blogger.com0tag:blogger.com,1999:blog-7198152214076585230.post-32416283594345378222019-10-02T17:13:00.002+02:002019-10-11T22:12:05.395+02:00The Strad - There’s inventive and compelling playing in this bumper issue of Vivaldi<a href="https://amp.ft.com/content/0906f7b4-982a-11e9-9573-ee5cbb98ed36" target="_blank">The Strad </a><br />
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #002060; font-family: "calibri" , "sans-serif"; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">The
Strad <span style="mso-spacerun: yes;"> </span>July 25th, 2019 -
L'ARCHICEMBALO:VIVALDI</span></b><br />
<br />
<span lang="EN-US" style="color: #002060; font-family: "calibri" , "sans-serif"; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">There’s inventive and compelling playing in this
bumper issue of Vivaldi</span><br />
<br />
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #002060; font-family: "calibri" , "sans-serif"; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Review
by Robin Stowell </span></b><br />
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #002060; font-family: "calibri" , "sans-serif"; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><br /></span></b>
<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike><a href="https://www.thestrad.com/reviews/larchicembalo-vivaldi/9250.article" target="_blank">The Strad - L'ARCHICEMBALO:VIVALDI</a><br />
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<br />L'Archicembalohttp://www.blogger.com/profile/01986803356972940695noreply@blogger.com0tag:blogger.com,1999:blog-7198152214076585230.post-86371699509061465092019-10-02T17:09:00.002+02:002019-10-02T17:09:47.828+02:00Financial Times - Vivaldi: Complete Concertos and Sinfonias for Strings and Basso Continuo
<br />
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #002060; font-family: "Calibri","sans-serif"; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Financial
Times <span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>July 05th, 2019</span></b><br />
<br />
<div style="line-height: 12.0pt;">
<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="color: #002060; font-family: "Calibri","sans-serif"; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Vivaldi: Complete Concertos and Sinfonias for Strings and Basso
Continuo — energetic and well-recorded</span></i></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #002060; font-family: "Calibri","sans-serif"; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Review by </span><a href="https://www.ft.com/stream/28430857-6433-32a7-ba54-5300b53c6312"><span lang="EN-US" style="border: none windowtext 1.0pt; color: #002060; font-family: "Calibri","sans-serif"; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin; mso-border-alt: none windowtext 0cm; mso-hansi-theme-font: minor-latin; padding: 0cm;">Richard Fairman</span></a></b><span lang="EN-US" style="color: #002060; font-family: "Calibri","sans-serif"; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> - July 5, 2019</span></div>
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<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike>L'Archicembalohttp://www.blogger.com/profile/01986803356972940695noreply@blogger.com0tag:blogger.com,1999:blog-7198152214076585230.post-17477776890693137002019-10-02T17:00:00.000+02:002019-10-02T17:00:06.386+02:00Italian Music Magazine "MUSICA"
<br />
<b style="mso-bidi-font-weight: normal;"><span style="color: #002060; font-family: "Calibri","sans-serif"; mso-ansi-language: IT; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Italian Music Magazine "MUSICA" <span style="mso-spacerun: yes;"> </span>May 2016</span></b><br />
<br />
<b style="mso-bidi-font-weight: normal;"><span style="color: #002060; font-family: "Calibri","sans-serif"; mso-ansi-language: IT; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Review by <span style="mso-spacerun: yes;"> </span>Claudio
Bolzan - CD Antonio Vivaldi, Concerti e Sinfonie per archi e continuo Antonio
Vivaldi. </span></b><br />
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<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike>L'Archicembalohttp://www.blogger.com/profile/01986803356972940695noreply@blogger.com0tag:blogger.com,1999:blog-7198152214076585230.post-64529310097250762402019-10-02T16:54:00.002+02:002019-10-13T12:44:46.286+02:00Gramophone, 2017<div class="l-header c-24 c-18-min728-max880 c-auto-max727" style="-webkit-text-stroke-width: 0px; background-position-x: left; background-position-y: top; clear: both; color: #333333; float: left; font-family: &quot; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; orphans: 2; padding-bottom: 0px; padding-left: 14px; padding-right: 14px; padding-top: 0px; position: relative; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; white-space: normal; width: 980px; word-spacing: 0px;">
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<h1 style="background-image: url(&quot; background-position-x: center; background-position-y: bottom; background-repeat: repeat-x; color: #896716; font-family: &quot; font-size: 1.71em; font-weight: normal; line-height: 1.25em; margin-bottom: 6px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 6px; padding-left: 0px; padding-right: 0px; padding-top: 6px; vertical-align: baseline;">
Vivaldi – music and manuscripts</h1>
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<span class="author" style="background-position-x: left; background-position-y: top; margin-bottom: 0px; margin-left: 1em; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Gramophone</span><span class="publish-date" style="background-position-x: left; background-position-y: top; margin-bottom: 0px; margin-left: 1em; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">18th Apr 2017</span> </div>
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Photographs from a fascinating concert in Turin</h2>
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<div class="inline-box inline-img-box" style="background-position-x: left; background-position-y: top; display: inline-block; float: none; font-family: &quot; letter-spacing: normal; list-style-image: none; list-style-position: outside; list-style-type: none; margin-bottom: 12px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 14px; padding-right: 14px; padding-top: 0px; vertical-align: top; width: 140px; word-spacing: normal;">
<a class="colorbox init-colorbox-processed cboxElement" data-colorbox-gallery="gallery-node-139540-6AXJl-glAhA" href="https://www.gramophone.co.uk/sites/default/files/no.-1-left-to-right-marcello-bianchi-giulia-sardi-daniela-demicheli-claudio-merlo-paola-nervi-marco-pesce-matteo-cicchitti-and-ljiljana-mijatovic.jpg" style="color: #00607d; display: block; overflow-wrap: break-word; text-decoration: underline;" title="(Left to right) Marcello Bianchi, Giulia Sardi, Daniela Demicheli, Claudio Merlo, Paola Nervi, Marco Pesce, Matteo Cicchitti and Ljiljana Mijatovic"><img alt="(Left to right) Marcello Bianchi, Giulia Sardi, Daniela Demicheli, Claudio Merlo, Paola Nervi, Marco Pesce, Matteo Cicchitti and Ljiljana Mijatovic" height="92" src="https://www.gramophone.co.uk/sites/default/files/styles/4_columns_wide_bordered/public/no.-1-left-to-right-marcello-bianchi-giulia-sardi-daniela-demicheli-claudio-merlo-paola-nervi-marco-pesce-matteo-cicchitti-and-ljiljana-mijatovic.jpg?itok=Q2S9Wfb1" style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; margin-bottom: 4px; vertical-align: bottom;" title="(Left to right) Marcello Bianchi, Giulia Sardi, Daniela Demicheli, Claudio Merlo, Paola Nervi, Marco Pesce, Matteo Cicchitti and Ljiljana Mijatovic" width="138" /></a></div>
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<a class="colorbox init-colorbox-processed cboxElement" data-colorbox-gallery="gallery-node-139540-6AXJl-glAhA" href="https://www.gramophone.co.uk/sites/default/files/no.-2-left-to-right-marcello-bianchi-concert-master-and-giulia-sardi.jpg" style="color: #00607d; display: block; overflow-wrap: break-word; text-decoration: underline;" title="(Left to right) Marcello Bianchi (concert master) and Giulia Sardi"><img alt="(Left to right) Marcello Bianchi (concert master) and Giulia Sardi" height="92" src="https://www.gramophone.co.uk/sites/default/files/styles/4_columns_wide_bordered/public/no.-2-left-to-right-marcello-bianchi-concert-master-and-giulia-sardi.jpg?itok=Jf-5QIIa" style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; margin-bottom: 4px; vertical-align: bottom;" title="(Left to right) Marcello Bianchi (concert master) and Giulia Sardi" width="138" /></a></div>
<div class="inline-box inline-img-box" style="background-position-x: left; background-position-y: top; display: inline-block; float: none; font-family: &quot; letter-spacing: normal; list-style-image: none; list-style-position: outside; list-style-type: none; margin-bottom: 12px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 14px; padding-right: 14px; padding-top: 0px; vertical-align: top; width: 140px; word-spacing: normal;">
<a class="colorbox init-colorbox-processed cboxElement" data-colorbox-gallery="gallery-node-139540-6AXJl-glAhA" href="https://www.gramophone.co.uk/sites/default/files/no.-3-paola-nervi.-in-the-background-the-autograph-score-of-the-third-movement-of-vivaldis-concerto-rv-119-in-c-minor-allegro-from-the-giordano-30-manuscript-collection.jpg" style="color: #00607d; display: block; overflow-wrap: break-word; text-decoration: underline;" title="Paola Nervi. In the background, the autograph score of the third movement of Vivaldi's concerto RV 119 in C minor (Allegro, from the Giordano 30 manuscript collection)"><img alt="Paola Nervi. In the background, the autograph score of the third movement of Vivaldi's concerto RV 119 in C minor (Allegro, from the Giordano 30 manuscript collection)" height="92" src="https://www.gramophone.co.uk/sites/default/files/styles/4_columns_wide_bordered/public/no.-3-paola-nervi.-in-the-background-the-autograph-score-of-the-third-movement-of-vivaldis-concerto-rv-119-in-c-minor-allegro-from-the-giordano-30-manuscript-collection.jpg?itok=AVhhiwOf" style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; margin-bottom: 4px; vertical-align: bottom;" title="Paola Nervi. In the background, the autograph score of the third movement of Vivaldi's concerto RV 119 in C minor (Allegro, from the Giordano 30 manuscript collection)" width="138" /></a></div>
<div class="inline-box inline-img-box" style="background-position-x: left; background-position-y: top; display: inline-block; float: none; font-family: &quot; letter-spacing: normal; list-style-image: none; list-style-position: outside; list-style-type: none; margin-bottom: 12px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 14px; padding-right: 14px; padding-top: 0px; vertical-align: top; width: 140px; word-spacing: normal;">
<a class="colorbox init-colorbox-processed cboxElement" data-colorbox-gallery="gallery-node-139540-6AXJl-glAhA" href="https://www.gramophone.co.uk/sites/default/files/no.-4-marcello-bianchi-concert-master.-in-the-background-vivaldis-furious-afterthoughts-for-the-second-movement-largo-of-the-concerto-rv-119-in-c-minor-from-the-giordano-30-collection.jpg" style="color: #00607d; display: block; overflow-wrap: break-word; text-decoration: underline;" title="Marcello Bianchi (concert master). In the background, Vivaldi's furious afterthoughts for the second movement (Largo) of the Concerto RV 119 in C minor (from the Giordano 30 collection)"><img alt="Marcello Bianchi (concert master). In the background, Vivaldi's furious afterthoughts for the second movement (Largo) of the Concerto RV 119 in C minor (from the Giordano 30 collection)" height="92" src="https://www.gramophone.co.uk/sites/default/files/styles/4_columns_wide_bordered/public/no.-4-marcello-bianchi-concert-master.-in-the-background-vivaldis-furious-afterthoughts-for-the-second-movement-largo-of-the-concerto-rv-119-in-c-minor-from-the-giordano-30-collection.jpg?itok=lu_6ixRT" style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; margin-bottom: 4px; vertical-align: bottom;" title="Marcello Bianchi (concert master). In the background, Vivaldi's furious afterthoughts for the second movement (Largo) of the Concerto RV 119 in C minor (from the Giordano 30 collection)" width="138" /></a></div>
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<a class="colorbox init-colorbox-processed cboxElement" data-colorbox-gallery="gallery-node-139540-6AXJl-glAhA" href="https://www.gramophone.co.uk/sites/default/files/no.-6-daniela-demicheli-artistic-director.jpg" style="color: #00607d; display: block; overflow-wrap: break-word; text-decoration: underline;" title="Daniela Demicheli (artistic director)"><img alt="Daniela Demicheli (artistic director)" height="92" src="https://www.gramophone.co.uk/sites/default/files/styles/4_columns_wide_bordered/public/no.-6-daniela-demicheli-artistic-director.jpg?itok=ZiSawnNj" style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; margin-bottom: 4px; vertical-align: bottom;" title="Daniela Demicheli (artistic director)" width="138" /></a></div>
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<a class="colorbox init-colorbox-processed cboxElement" data-colorbox-gallery="gallery-node-139540-6AXJl-glAhA" href="https://www.gramophone.co.uk/sites/default/files/no.-7-claudio-merlo.jpg" style="color: #00607d; display: block; overflow-wrap: break-word; text-decoration: underline;" title="Claudio Merlo"><img alt="Claudio Merlo" height="92" src="https://www.gramophone.co.uk/sites/default/files/styles/4_columns_wide_bordered/public/no.-7-claudio-merlo.jpg?itok=RBfwfL1M" style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; margin-bottom: 4px; vertical-align: bottom;" title="Claudio Merlo" width="138" /></a></div>
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<a class="colorbox init-colorbox-processed cboxElement" data-colorbox-gallery="gallery-node-139540-6AXJl-glAhA" href="https://www.gramophone.co.uk/sites/default/files/no.-9-marcello-bianchi-giulia-sardi-and-daniela-demicheli.jpg" style="color: #00607d; display: block; overflow-wrap: break-word; text-decoration: underline;" title="Marcello Bianchi, Giulia Sardi and Daniela Demicheli"><img alt="Marcello Bianchi, Giulia Sardi and Daniela Demicheli" height="92" src="https://www.gramophone.co.uk/sites/default/files/styles/4_columns_wide_bordered/public/no.-9-marcello-bianchi-giulia-sardi-and-daniela-demicheli.jpg?itok=LuNziamg" style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; margin-bottom: 4px; vertical-align: bottom;" title="Marcello Bianchi, Giulia Sardi and Daniela Demicheli" width="138" /></a></div>
<div class="inline-box inline-img-box" style="background-position-x: left; background-position-y: top; display: inline-block; float: none; font-family: &quot; letter-spacing: normal; list-style-image: none; list-style-position: outside; list-style-type: none; margin-bottom: 12px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 14px; padding-right: 14px; padding-top: 0px; vertical-align: top; width: 140px; word-spacing: normal;">
<a class="colorbox init-colorbox-processed cboxElement" data-colorbox-gallery="gallery-node-139540-6AXJl-glAhA" href="https://www.gramophone.co.uk/sites/default/files/no.-10-marcello-bianchi-and-giulia-sardi.jpg" style="color: #00607d; display: block; overflow-wrap: break-word; text-decoration: underline;" title="Marcello Bianchi and Giulia Sardi"><img alt="Marcello Bianchi and Giulia Sardi" height="92" src="https://www.gramophone.co.uk/sites/default/files/styles/4_columns_wide_bordered/public/no.-10-marcello-bianchi-and-giulia-sardi.jpg?itok=rW4Bsz8k" style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; margin-bottom: 4px; vertical-align: bottom;" title="Marcello Bianchi and Giulia Sardi" width="138" /></a></div>
<div class="inline-box inline-img-box" style="background-position-x: left; background-position-y: top; display: inline-block; float: none; font-family: &quot; letter-spacing: normal; list-style-image: none; list-style-position: outside; list-style-type: none; margin-bottom: 12px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 14px; padding-right: 14px; padding-top: 0px; vertical-align: top; width: 140px; word-spacing: normal;">
<a class="colorbox init-colorbox-processed cboxElement" data-colorbox-gallery="gallery-node-139540-6AXJl-glAhA" href="https://www.gramophone.co.uk/sites/default/files/no.-11-the-vivaldi-auditorium-located-inside-the-biblioteca-nazionale-of-turin-as-seen-from-the-gallery-porthole.jpg" style="color: #00607d; display: block; overflow-wrap: break-word; text-decoration: underline;" title="The Vivaldi Auditorium located inside the Biblioteca Nazionale of Turin, as seen from the gallery porthole"><img alt="The Vivaldi Auditorium located inside the Biblioteca Nazionale of Turin, as seen from the gallery porthole" height="92" src="https://www.gramophone.co.uk/sites/default/files/styles/4_columns_wide_bordered/public/no.-11-the-vivaldi-auditorium-located-inside-the-biblioteca-nazionale-of-turin-as-seen-from-the-gallery-porthole.jpg?itok=EgHgCLl7" style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; margin-bottom: 4px; vertical-align: bottom;" title="The Vivaldi Auditorium located inside the Biblioteca Nazionale of Turin, as seen from the gallery porthole" width="138" /></a></div>
<div class="inline-box inline-img-box" style="background-position-x: left; background-position-y: top; display: inline-block; float: none; font-family: &quot; letter-spacing: normal; list-style-image: none; list-style-position: outside; list-style-type: none; margin-bottom: 12px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 14px; padding-right: 14px; padding-top: 0px; vertical-align: top; width: 140px; word-spacing: normal;">
<a class="colorbox init-colorbox-processed cboxElement" data-colorbox-gallery="gallery-node-139540-6AXJl-glAhA" href="https://www.gramophone.co.uk/sites/default/files/no.-13-extra-view-of-the-hall-of-the-vivaldi-auditorium-located-inside-the-biblioteca-nazionale.jpg" style="color: #00607d; display: block; overflow-wrap: break-word; text-decoration: underline;" title="View of the hall of the Vivaldi Auditorium located inside the Biblioteca Nazionale"><img alt="View of the hall of the Vivaldi Auditorium located inside the Biblioteca Nazionale" height="92" src="https://www.gramophone.co.uk/sites/default/files/styles/4_columns_wide_bordered/public/no.-13-extra-view-of-the-hall-of-the-vivaldi-auditorium-located-inside-the-biblioteca-nazionale.jpg?itok=h3XUzRQz" style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; margin-bottom: 4px; vertical-align: bottom;" title="View of the hall of the Vivaldi Auditorium located inside the Biblioteca Nazionale" width="138" /></a></div>
<div class="inline-box inline-img-box" style="background-position-x: left; background-position-y: top; display: inline-block; float: none; font-family: &quot; letter-spacing: normal; list-style-image: none; list-style-position: outside; list-style-type: none; margin-bottom: 12px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 14px; padding-right: 14px; padding-top: 0px; vertical-align: top; width: 140px; word-spacing: normal;">
<a class="colorbox init-colorbox-processed cboxElement" data-colorbox-gallery="gallery-node-139540-6AXJl-glAhA" href="https://www.gramophone.co.uk/sites/default/files/no.-14-marcello-bianchi-giulia-sardi-daniela-demicheli-claudio-merlo-paola-nervi-marco-pesce-matteo-cicchitti-and-ljiljana-mijatovic-playing-vivaldis-rv-127-in-d-minor-giordano-30-collection.jpg" style="color: #00607d; display: block; overflow-wrap: break-word; text-decoration: underline;" title="Marcello Bianchi, Giulia Sardi, Daniela Demicheli, Claudio Merlo, Paola Nervi, Marco Pesce, Matteo Cicchitti and Ljiljana Mijatovic playing Vivaldi's RV 127 in D minor (Giordano 30 collection)"><img alt="Marcello Bianchi, Giulia Sardi, Daniela Demicheli, Claudio Merlo, Paola Nervi, Marco Pesce, Matteo Cicchitti and Ljiljana Mijatovic playing Vivaldi's RV 127 in D minor (Giordano 30 collection)" height="92" src="https://www.gramophone.co.uk/sites/default/files/styles/4_columns_wide_bordered/public/no.-14-marcello-bianchi-giulia-sardi-daniela-demicheli-claudio-merlo-paola-nervi-marco-pesce-matteo-cicchitti-and-ljiljana-mijatovic-playing-vivaldis-rv-127-in-d-minor-giordano-30-collection.jpg?itok=8T5CC3Q4" style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; margin-bottom: 4px; vertical-align: bottom;" title="Marcello Bianchi, Giulia Sardi, Daniela Demicheli, Claudio Merlo, Paola Nervi, Marco Pesce, Matteo Cicchitti and Ljiljana Mijatovic playing Vivaldi's RV 127 in D minor (Giordano 30 collection)" width="138" /></a></div>
<div class="inline-box inline-img-box" style="background-position-x: left; background-position-y: top; display: inline-block; float: none; font-family: &quot; letter-spacing: normal; list-style-image: none; list-style-position: outside; list-style-type: none; margin-bottom: 12px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 14px; padding-right: 14px; padding-top: 0px; vertical-align: top; width: 140px; word-spacing: normal;">
<a class="colorbox init-colorbox-processed cboxElement" data-colorbox-gallery="gallery-node-139540-6AXJl-glAhA" href="https://www.gramophone.co.uk/sites/default/files/no.-15-extra-marcello-bianchi.jpg" style="color: #00607d; display: block; overflow-wrap: break-word; text-decoration: underline;" title="Marcello Bianchi"><img alt="Marcello Bianchi" height="92" src="https://www.gramophone.co.uk/sites/default/files/styles/4_columns_wide_bordered/public/no.-15-extra-marcello-bianchi.jpg?itok=9LtE-zky" style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; margin-bottom: 4px; vertical-align: bottom;" title="Marcello Bianchi" width="138" /></a></div>
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<div style="-ms-hyphens: none; background-position-x: left; background-position-y: top; margin-bottom: 12px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">
<span style="background-position-x: left; background-position-y: top; font-size: 1em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Virtually all of Vivaldi's existing manuscripts are currently on display at the <a href="http://www.bnto.librari.beniculturali.it/index.php?it/21/modulo-news/130/festival-antonio-vivaldi" style="color: #00607d; overflow-wrap: break-word; text-decoration: underline;" target="_blank">Biblioteca Nazionale of Turin</a>, and to celebrate this remarkable exhibition the Baroque octet L'Archicembalo gave a special performance at the newly opened Auditorium Vivaldi at the Biblioteca Nazionale of seven Vivaldi concertos with many of the original manuscripts projected on a screen behind the ensemble.</span><span style="background-position-x: left; background-position-y: top; font-size: 1em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><br /></span></div>
<span style="background-position: left top; font-size: 1em; margin: 0px; padding: 0px;"></span><a href="https://www.gramophone.co.uk/features/gallery/vivaldi-music-and-manuscripts" target="_blank">Vivaldi - music and manuscript</a><br />
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<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike><b></b><i></i><u></u><sub></sub><sup></sup><strike></strike><br />L'Archicembalohttp://www.blogger.com/profile/01986803356972940695noreply@blogger.com0tag:blogger.com,1999:blog-7198152214076585230.post-31376631775871486232019-10-02T16:48:00.002+02:002019-10-02T18:49:25.196+02:00L'antica musica ridotta alla moderna pratica<br />
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #002060; font-family: "calibri" , "sans-serif"; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">CorriereAL
<span style="mso-spacerun: yes;"> </span>March 12th, 2016 </span></b><br />
<span style="color: #20124d;">L'antica musica ridotta alla moderna pratica</span><br />
<span style="color: #20124d;">Review by Pietro Mercogliano</span><br />
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<span style="color: #20124d;"><a href="https://mag.corriereal.info/wordpress/2016/03/12/lantica-musica-ridotta-alla-moderna-pratica/" target="_blank">L'antica musica ridotta alla moderna pratica</a></span><br />
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<span style="color: #20124d;"><em style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; font-family: inherit; font-size-adjust: none; font-size: inherit; font-stretch: inherit; font-style: italic; font-variant: inherit; font-weight: inherit; line-height: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">“L’antica Musica ridotta alla Moderna Pratica”</em>, trattato (Roma, 1555) di <strong style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; font-family: inherit; font-size-adjust: none; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: bold; line-height: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Nicola Vicentino</strong>, descrive la costruzione di uno strumento musicale bizzarro all’epoca e bizzarro oggi: <strong style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; font-family: inherit; font-size-adjust: none; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: bold; line-height: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">l’archicembalo;</strong> si tratta di una sorta di clavicembalo, l’accordatura delle cui due tastiere consente di eseguire tutti i suoni possibili dei tre modi fondamentali della musica greca.</span><br />
<span style="color: #20124d;"><strong style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; font-family: inherit; font-size-adjust: none; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: bold; line-height: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">L’archicembalo dunque era un’idea nuova che consentiva ad uno strumento tradizionale di eseguire tutto l’udibile</strong>. (Mi viene da pensare che la meccanica dovesse essere farraginosa ed il suono non meraviglioso, o non mi spiego la pressoché nulla fortuna di un’idea cosí intrinsecamente bella.)</span></div>
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<span style="color: #20124d;">Notando come il curioso nome del curiosissimo strumento sembrasse risultare dalla sciarada di “archi” e “cembalo”,<strong style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; font-family: inherit; font-size-adjust: none; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: bold; line-height: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"> un gruppo d’archi e clavicembalo alessandrino decideva sedici anni fa di costituirsi in ensemble sotto un nome cosí suggestivo.</strong> Oggi<strong style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; font-family: inherit; font-size-adjust: none; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: bold; line-height: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"> l’“Archicembalo” è formato al suo completo da undici strumentisti,</strong> e spesso ospita altri professionisti in diversi ruoli. L’ultima fatica del gruppo è il disco di<em style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; font-family: inherit; font-size-adjust: none; font-size: inherit; font-stretch: inherit; font-style: italic; font-variant: inherit; font-weight: inherit; line-height: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"> Concerti e Sinfonie per Archi e Continuo di Vivaldi</em> che il mese prossimo uscirà per “<em style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; font-family: inherit; font-size-adjust: none; font-size: inherit; font-stretch: inherit; font-style: italic; font-variant: inherit; font-weight: inherit; line-height: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Tactus”.</em></span></div>
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Il disco è già stato presentato in anteprima a<em style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; font-family: inherit; font-size-adjust: none; font-size: inherit; font-stretch: inherit; font-style: italic; font-variant: inherit; font-weight: inherit; line-height: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"> “Primo Movimento”</em> (RaiRadio3) ed è stato recensito da <strong style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; font-family: inherit; font-size-adjust: none; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: bold; line-height: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Piero Barbareschi.</strong> Io qui vorrei però parlare ancora di un aspetto fondamentale che emerge dall’ascolto del CD: <strong style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; font-family: inherit; font-size-adjust: none; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: bold; line-height: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">l’affiatamento speciale del gruppo</strong>. In Alessandria – patria per alcuni di loro e per altri terra d’adozione – i membri del gruppo hanno fondato la sede del loro laboratorio, dove condividono le loro esperienze e le loro idee e riscoprono di volta in volta la loro musica: quando arrivano davanti al pubblico, i minuti dei loro concerti sono densi di settimane o mesi di lavoro sui brani e di anni di crescita insieme.<strong style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; font-family: inherit; font-size-adjust: none; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: bold; line-height: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"> Credo sia bello che Alessandria abbia non solo una sua stagione di musica</strong> (quest’anno “<em style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; font-family: inherit; font-size-adjust: none; font-size: inherit; font-stretch: inherit; font-style: italic; font-variant: inherit; font-weight: inherit; line-height: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Alessandria Barocca e non solo…”</em> inizierà il 24 giugno e toccherà anche diversi paesi e città del territorio: Tortona, Tagliolo Monferrato, Valenza, Montale Celli di Costa Vescovato, Valenza) ma una sua propria voce che si possa imparare a riconoscere e con la quale si possa crescere.</div>
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<strong style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; font-family: inherit; font-size-adjust: none; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: bold; line-height: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Perché nella scelta dell’“Archicembalo” di proporre il repertorio barocco<a href="https://mag.corriereal.info/wordpress/wp-content/uploads/2016/03/Archicembalo-.jpg" rel="attachment wp-att-74458" style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: #ea8a0b; font-family: inherit; font-size-adjust: none; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: 600; line-height: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;"><img alt="Archicembalo" class="alignright size-medium wp-image-74458" height="200" src="https://mag.corriereal.info/wordpress/wp-content/uploads/2016/03/Archicembalo--300x200.jpg" style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; display: inline; float: right; font-family: inherit; font-size-adjust: none; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; height: auto; line-height: inherit; margin-bottom: 1.25rem; margin-left: 1.25rem; margin-right: 0px; margin-top: 0.31rem; max-width: 100%; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: bottom;" width="300" /></a></strong> (soprattutto italiano e soprattutto vivaldiano) su strumenti antichi o di tipo antico c’è proprio l’idea di una crescita progressiva: è un cammino storicamente informato di riscoperta della bellezza della Cultura che l’“Archicembalo” propone al pubblico di Alessandria.<br />
<strong style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; font-family: inherit; font-size-adjust: none; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: bold; line-height: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Questi musicisti, pur Maestri e Professori della Musica Dotta ed usi ad esser invitati ad esibirsi in diverse sale d’Europa,</strong> sono però convinti, infatti, che non sia nella calcolata costruzione di programmi complessi e nella orripilata elusione del popolare che risieda un fantomatico fantasmatico algore proprio della Grande Musica; ma che, anzi, sia grande la musica che da secoli è in grado di parlarci non appena di un nulla ci voltiamo a porgerle orecchio: e lei, la Musica, subito ci tocca e ci avvolge e ci parla di noi.</div>
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Ai concerti del<em style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; font-family: inherit; font-size-adjust: none; font-size: inherit; font-stretch: inherit; font-style: italic; font-variant: inherit; font-weight: inherit; line-height: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">l’“Archicembalo”</em> (<strong style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; font-family: inherit; font-size-adjust: none; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: bold; line-height: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">il prossimo il 22 marzo con lo “Stabat Mater” di Pergolesi nel Duomo di Valenza,</strong> insieme al coro<em style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; font-family: inherit; font-size-adjust: none; font-size: inherit; font-stretch: inherit; font-style: italic; font-variant: inherit; font-weight: inherit; line-height: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"> “Gaiamusica”</em> diretto da <strong style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; font-family: inherit; font-size-adjust: none; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: bold; line-height: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Roberto Berzero</strong>), tutto tende a far percepire anche all’ascoltatore piú scettico come la musica antica e noi non si sia che due punti sulla medesima linea della Tradizione, che ci unisce ed a noi vieta di rimanere impassibili di fronte ad un fatto sensoriale e culturale – la Musica – che per natura e costituzione nostre parla ai piú riposti recessi di noi.</div>
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Non credo sia per caso che ad ogni appuntamento proposto dall’“Archicembalo” cui io sia stato presente cosí tante persone si siano mosse dalle loro case, magari in automobile (io da Roma!), e si siano ritrovate altrettanto per caso tutte lí e tutte in quel momento ad ascoltare: <strong style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; font-family: inherit; font-size-adjust: none; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: bold; line-height: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">io penso sapessero (sapessimo) che lí ed in quel momento c’era qualcosa per cui valeva la pena di affrontare il tragitto.</strong></div>
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Quel qualcosa, io credo, è il proprio della Musica e di ogni Arte performativa ben eseguita: il riproporsi sempre nuovo e diverso di un’opera che è sempre la stessa da secoli e che da secoli si fa sempre nuova e sempre emoziona. <strong style="border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; font-family: inherit; font-size-adjust: none; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: bold; line-height: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">L’antica Musica ridotta alla Moderna Pratica.</strong></div>
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<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike></span>L'Archicembalohttp://www.blogger.com/profile/01986803356972940695noreply@blogger.com0tag:blogger.com,1999:blog-7198152214076585230.post-65905426994779604222019-10-02T16:43:00.000+02:002019-10-13T12:46:56.336+02:00Gothic Network, 2016<br />
<b style="mso-bidi-font-weight: normal;"><span style="color: #002060; font-family: "calibri" , "sans-serif"; mso-ansi-language: IT; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Gothic Network<span style="mso-spacerun: yes;"> </span>January
<span style="mso-spacerun: yes;"> </span>6th, 2016</span></b><br />
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<b style="mso-bidi-font-weight: normal;"><span style="color: #002060; font-family: "calibri" , "sans-serif"; mso-ansi-language: IT; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><span style="mso-spacerun: yes;"> </span>Review by Piero
Barbareschi - CD Antonio Vivaldi, Concerti e Sinfonie per archi e continuo </span></b><br />
<b style="mso-bidi-font-weight: normal;"><span style="color: #002060; font-family: "calibri" , "sans-serif"; mso-ansi-language: IT; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><br /></span></b>
<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike><a href="http://www.gothicnetwork.org/articoli/tactus-vivaldi-secondo-larchicembalo" target="_blank">Concerti e Sinfonie per archi e continuo Antonio Vivaldi. </a><br />
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<br />L'Archicembalohttp://www.blogger.com/profile/01986803356972940695noreply@blogger.com0tag:blogger.com,1999:blog-7198152214076585230.post-47138424405839166372019-10-02T16:24:00.003+02:002019-10-13T12:48:10.442+02:00Music Web, 2016<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="border: none; color: #002060; font-family: "calibri" , "sans-serif"; font-size: 12.0pt;">Music Web </span></b><br />
<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike><a href="http://www.musicweb-international.com/classrev/2016/Jul/Vivaldi_concertos_TC672259.htm" target="_blank">Music Web International</a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPrL-sn_CA2JRdLFSWluBG5c5bLcvds60LWCUaQUP9oI0IZNlyhaGxc8ZY6Cr0110HdYsihxK7yf7W-Qs3uI6HBTx6k9iRHOeI7QbjkP-wItPbYhQPZC_nJ0BbTCKNAYQExEaWGvDXuby8/s1600/1bis+music+web.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="714" data-original-width="713" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPrL-sn_CA2JRdLFSWluBG5c5bLcvds60LWCUaQUP9oI0IZNlyhaGxc8ZY6Cr0110HdYsihxK7yf7W-Qs3uI6HBTx6k9iRHOeI7QbjkP-wItPbYhQPZC_nJ0BbTCKNAYQExEaWGvDXuby8/s640/1bis+music+web.PNG" width="636" /></a></div>
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<span style="color: #00005c; font-family: "calibri" , "sans-serif"; mso-ansi-language: IT; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><b>ITALIAN</b></span><br />
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<span style="color: #00005c; font-family: "calibri" , "sans-serif"; mso-ansi-language: IT; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Molti CD dedicati all’opera di Vivaldi contengono
concerti solistici. L’ incisione pone l’enfasi sul corpus di concerti e
sinfonie per archi e basso continuo, senza parti solistiche. L’opera di Vivaldi
consta di poco più di quaranta concerti e di circa dieci sinfonie. La forma
musicale del concerto a quattro – scritto per due violini, viola e basso
continuo – ebbe grande successo nel tardo Seicento, un successo che durò anche
oltre la morte di Vivaldi. Intorno al 1740 Baldassare Galuppi compose una serie
di sette concerti in questo stile. </span></div>
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<span style="color: #00005c; font-family: "calibri" , "sans-serif"; mso-ansi-language: IT; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Tra il concerto, in alcuni manoscritti chiamato concerto
ripieno, e la sinfonia non esiste una grande differenza. Come spiega Daniela
Demicheli nel libretto del disco, la differenza principale è il modo in cui
viene trattato il contrappunto. Nei concerti esso è più elaborato, mentre le
sinfonie tendono ad essere più omofone, alla melodia viene data un’importanza
maggiore e spesso i due violini </span></div>
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<span style="color: #00005c; font-family: "calibri" , "sans-serif"; mso-ansi-language: IT; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">suonano all’unisono. Inoltre, le due forme si
differenziano per le chiavi: i concerti sono principalmente scritti in chiave
minore, le sinfonie invece soprattutto in chiave maggiore. </span></div>
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<span style="color: #00005c; font-family: "calibri" , "sans-serif"; mso-ansi-language: IT; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">La maggior parte dei concerti e delle sinfonie di Vivaldi
sono stati scritti per e interpretati dall’orchestra delle fanciulle
dell’Ospedale della Pietà, dove Vivaldi fece da maestro de’ concerti. </span></div>
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<span style="color: #00005c; font-family: "calibri" , "sans-serif"; mso-ansi-language: IT; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Anche se i concerti con le parti solistiche erano mezzi
per dimostrare il grande virtuosismo delle fanciulle, erano anche adatti a
mettere in evidenza le qualità dell’orchestra dell’Ospedale nel complesso. I
concerti per archi vengono spesso usati come riempitivi o momenti di pausa nei
programmi con concerti solistici, il che può anche essere accettabile, ma in
questo modo difficilmente si rende giustizia ad essi. Nel libretto di un altro
CD con concerti di questo tipo, Lindsay Kemp scrive che essi contengono “scale
eleganti, bassi martellanti, arpeggi oscillanti, sequenze di accordi
squisitamente elaborate, melodie dolcemente toccanti...”, il che è ampiamente
mostrato nei pezzi selezionati per questo CD. L’affettuoso della Sinfonia in Do
(RV 116) è molto patetico, e l’adagio del Concerto in Re (RV 123) è un esempio
di un movimento lento e pieno di espressività. Una raccolta di dodici concerti
ripieni è conservata nella biblioteca del conservatorio di Parigi. Può darsi
che siano nati su commissione di un appassionato di musica francese. Contengono
alcune caratteristiche dello stile francese, in particolare i ritmi puntati. Il
Concerto in Sol minore (RV 157), essendo uno degli esempi più famosi di questa
parte dell’opera vivaldiana, appartiene a questo gruppo. Nella Sinfonia in Sol
(RV 149) due parti per violino contengono l’aggiunta “con l’arco” e vanno
suonate in staccato, mentre altre due parti, così come quelle di viola e
violoncello, sono contrassegnate con un pizzicato. Questo illustra che il brano
non può essere suonato da un singolo strumento per parte, a dispetto di quanto
il primo movimento possa suggerire, avendo solo due parti per violino e una
parte per viola e basso continuo. Probabilmente ciò spiega il motivo per cui
gli esecutori suonano tutti i concerti e le sinfonie con quattro violini e una
viola, violoncello, violone e clavicembalo. </span></div>
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<span style="color: #00005c; font-family: "calibri" , "sans-serif"; mso-ansi-language: IT; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">L’incisione è molto bella. I tempi sono scelti bene,
senza esagerazioni e senza eccessiva lentezza, come capitava spesso nelle
incisioni degli ensembles inglesi di alcuni decenni fa. Furono le mie prime
esperienze con questi concerti, ma oggigiorno gli ensembles italiani hanno dimostrato
che queste composizioni sono più che semplici riempitivi in un programma di
concerti solistici.</span></div>
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<span style="color: #00005c; font-family: "calibri" , "sans-serif"; mso-ansi-language: IT; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Possono essere perfettamente indipendenti e con questa
incisione le qualità polifoniche, teatrali e espressive vengono portate alla
luce. </span></div>
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</div>
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #00005c; font-family: "calibri" , "sans-serif"; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Johan
van Veen </span></b><br />
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<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike></div>
<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike><br />L'Archicembalohttp://www.blogger.com/profile/01986803356972940695noreply@blogger.com0tag:blogger.com,1999:blog-7198152214076585230.post-43376538569500309842019-10-02T16:08:00.000+02:002019-10-13T12:48:56.257+02:00L'Archicembalo spielt Concerti von Antonio Vivaldi<br />
<b style="mso-bidi-font-weight: normal;"><span style="color: #00005c; font-family: "calibri" , "sans-serif"; mso-ansi-language: IT; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">- CD-Tipp vom 26.02.2016 aus der Sendung "SWR2
Treffpunkt Klassik - Neue CDs" </span></b><br />
<a href="http://www.thelemoncourtyard.com/reviews/reviews/c_22/sudwestrundfunk_i_19.htm" target="_blank">L'Archicembalo spielt Concerti von Antonio Vivaldi</a><br />
<span style="color: #00005c; font-family: "calibri" , "sans-serif"; mso-ansi-language: IT; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Review by Bettina Winkler - CD Antonio
Vivaldi, Concerti e Sinfonie per archi e continuo Antonio Vivaldi. </span><br />
<span style="color: #00005c; font-family: "calibri" , "sans-serif"; mso-ansi-language: IT; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><br /></span>
<span style="color: #00005c; font-family: "calibri" , "sans-serif"; mso-ansi-language: IT; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><br /></span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7zwXpFEdd1YyBtY7JvM7086Fncd_Lu_qk5AAEoy0Xth02JiQD5OJc8S3kDX0q2Pp9z2MpOymm6B3qxurhY7rNjvoZ1tywdelYyz1ljmDjTain_2m7ESqP2q5eZ6KRL1nxSnpsZZ4jtDw_/s1600/WINKLER.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="755" data-original-width="911" height="529" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7zwXpFEdd1YyBtY7JvM7086Fncd_Lu_qk5AAEoy0Xth02JiQD5OJc8S3kDX0q2Pp9z2MpOymm6B3qxurhY7rNjvoZ1tywdelYyz1ljmDjTain_2m7ESqP2q5eZ6KRL1nxSnpsZZ4jtDw_/s640/WINKLER.PNG" width="640" /></a></div>
<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike><br />
ITALIAN<br />
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<b style="mso-bidi-font-weight: normal;"><span style="color: #00005c; font-family: "calibri" , "sans-serif"; mso-ansi-language: IT; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Traduzione</span></b><br />
<br />
<div style="text-align: justify; text-justify: inter-ideograph;">
<span style="color: #00005c; font-family: "calibri" , "sans-serif"; mso-ansi-language: IT; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Antonio Vivaldi. Le sue sinfonie e concerti sembrano
essere infiniti e di conseguenza lo sono anche le registrazioni che lo
riguardano. Una di esse mi ha particolarmente sorpresa nelle ultime settimane:
la registrazione dell'Ensemble L'Archicembalo, pubblicata dal l'etichetta
italiana Tactus. Spesso questa etichetta mi incuriosisce con un repertorio
raro, ma non sempre di qualità. Nel caso di questo CD di Vivaldi è stato
esattamente l'opposto. Appena l'ho ascoltato, ero come elettrizzata. Se non
avessi seguito le raccomandazioni di Rainer Aschemeier di Naxos non avrei neanche
notato questo CD. Per cui lo ringrazio. Questo CD è per me una benedizione e
uno stimolo assoluto per le mie orecchie e, perché no, anche un'ottima musica
da ascoltare in macchina durante la guida...un'interpretazione nuova, vivace ed
armoniosa. </span></div>
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<div style="text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #00005c; font-family: "calibri" , "sans-serif"; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Bettina Winkler</span></b><span lang="EN-US" style="color: #00005c; font-family: "calibri" , "sans-serif"; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">
</span></div>
<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike>L'Archicembalohttp://www.blogger.com/profile/01986803356972940695noreply@blogger.com0tag:blogger.com,1999:blog-7198152214076585230.post-88219320960335070402019-03-08T08:02:00.004+01:002019-10-13T12:50:23.855+02:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH_57q3xEFDAhY8LjTnAZMPHaGH0FQ9vs-U83YK4p4TYhM8dIdDMArd8Uz3Og3_Duxd-EMoGVMhTQpFBUREMRnGm-JAgKDFcEtV2ZO24_TFufKkJrjfJQYmCHXJvnbiya5bDQ5DjPZTn-t/s1600/1.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><br /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH_57q3xEFDAhY8LjTnAZMPHaGH0FQ9vs-U83YK4p4TYhM8dIdDMArd8Uz3Og3_Duxd-EMoGVMhTQpFBUREMRnGm-JAgKDFcEtV2ZO24_TFufKkJrjfJQYmCHXJvnbiya5bDQ5DjPZTn-t/s1600/1.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><br /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH_57q3xEFDAhY8LjTnAZMPHaGH0FQ9vs-U83YK4p4TYhM8dIdDMArd8Uz3Og3_Duxd-EMoGVMhTQpFBUREMRnGm-JAgKDFcEtV2ZO24_TFufKkJrjfJQYmCHXJvnbiya5bDQ5DjPZTn-t/s1600/1.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="674" data-original-width="776" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH_57q3xEFDAhY8LjTnAZMPHaGH0FQ9vs-U83YK4p4TYhM8dIdDMArd8Uz3Og3_Duxd-EMoGVMhTQpFBUREMRnGm-JAgKDFcEtV2ZO24_TFufKkJrjfJQYmCHXJvnbiya5bDQ5DjPZTn-t/s1600/1.JPG" /></a></div>
Torino, Teatro Vittoria<br />
Lunedì 18 Marzo 2019 - ore 20 -<br />
L'ARCHICEMBALO<br />
<br />L'Archicembalohttp://www.blogger.com/profile/01986803356972940695noreply@blogger.com0